Woody Allen's second film as a director, co-writer and star takes parody to the extreme with a brilliant send-up of everything from relationships to dictatorships. An early example of what Allen called his "slapdash" approach to comedy, Bananas' broad, fast humor and rapid-fire witticisms form a dazzling kaleidoscope of "inspired ingenuity and comic artistry" (Look). When bumbling product-tester, Fielding Mellish (Allen) is jilted by his girlfriend, Nancy (Louise Lasser),he heads to the tiny republic of San Marcos for a vacation only to become kidnapped by rebels! Oncethe band of rebels seizes power, their leader goes crazy, and they replace him with Mellish, thinking he can save the country. But when Mellish is nabbed by the FBI, he is put on trial for subversionand in a side-splitting courtroom showdownincluding the most hilarious self-cross examination everWoody Allen proves beyond a doubt that he is not only our most gifted satirist he's a master comic artist.
Woody Allen's second film as a director was a wild, unpredictable, and unlikely comedy about a product-tester named Fielding Mellish (Allen), who can't quite connect with the woman of his dreams (Louise Lasser, Allen's ex-wife). He accidentally winds up in South America as a freedom fighter for a guerrilla leader who looks like Castro. Once he assumes power, the new dictator quickly goes insane--which leaves Fielding in charge to negotiate with the U.S. The film is chockfull of wonderfully bizarre gags, such as the dreams Fielding recounts to his shrink about dueling crucified messiahs, vying for a parking place near Wall Street. Look for an unknown Sylvester Stallone in a tiny role--but watch this film for Allen's surprisingly physical (and always verbally dexterous) humor. --Marshall Fine
Publisher: MGM (Video & DVD)
Customer Reviews
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One of Woody's best films, still hilarious today....
This was Allen's second film, and it's one of my all time favorite Woody Allen films. It's still hilarious, filled with brilliant dialogue, incredibly funny setpieces (some of the best of Allen's career), funny performances, great satire, and a great musical score. Allen would go onto deeper material and even greater films, but I still love this one. With Howard Cosell hosting an assassination attempt (still funny even if you don't remember Howard Cosell), to Allen getting food for his revolutionary outfit from a local diner, Bananas is filled with brilliant comedy. Some have complained that the film is a bit rough, but that didn't bother me that much. Most of Allen's comedies are consistently funny, and there are few, if any, lulls in them. This is great comedic filmmaking, something future generations should study and emulate.
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a wonderful political/social satire---classic early Woody Allen......
I first saw BANANAS on the local Public Broadcasting channel in Seattle. It's honestly surprising to me that people don't talk more about this film. I happen to think that it's funny, enlightening and very intelligent. What's more, it has chilling parallels with the state of politically revolutionary and anti-American Latin American governments of today (and no, I am not "naming names"---that would only get me into hot water here, and that isn't the purpose of the review). Fielding Mellish (Woody Allen) is a gawky product tester who falls in love with a politically active young woman, Nancy (Louise Lasser--Allen's first wife before the age of Diane Keaton, Mia Farrow or Soon-Yi Previn). Though very drawn to her, Mellish is not able to truly capture the young woman's heart. Why? Because he isn't as politically involved as she would like him to be. Well, all that changes when the awkward (not so young) man takes a life-altering trip to San Marcos, a small island nation falling under the thumb of pronounced political upheaval. Their leader, with strong leanings toward dictatorship and supression, has been assasinated and everything is in flux. It is during Mellish's trip that a very unlikely and (perhaps) profoundly unbelievable political shift occurs. I won't ruin it for you. You will have to see it for yourself. I will tell you that as many years as it has been since BANANAS' 1971 release, it still remains a very bold and wonderful showcase for Allen's irrerepresible physical comedy, as well as the quirky/neurotic brand of incidental insight that he is known best for today.
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