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Beck's new album Modern Guilt, produced with Brian "Danger Mouse" Burton, will be released July 8, 2008.
The new album contains 10 new songs, and with the exception of last year's Grammy-nominated, digital-only single "Timebomb", Modern Guilt is the first new material Beck has written since the prolific stretch that produced 2005's platinum Guero and 2006's universally acclaimed The Information. Modern Guilt is a tightly assembled group of songs that range in lyrical tone from introspection and social commentary to off the cuff wordplay and lighthearted humor. Musically, the album's ten tracks vacillate between economy and experimentation, hybrid and pop classicism, while consistently manifesting Beck and Danger Mouse's shared interest in psych-rock, folk, electronic minimalism and orchestration. Beck is about to embark on a tour of the UK and Europe, followed by a number of US headline and festival appearances, culminating in Beck's biggest hometown headline show to date, September 20, 2008 at the Hollywood Bowl. Beck Photos In the last few years, Beck has freely sailed the seas of electronic and alternative music, but he is now back on land with Modern Guilt, an album that gravitates mostly toward electronic music and that, unfortunately, only has a couple of songs that really stand out ("Modern Guilt," "Orphans"). The problem has nothing to do with the fact that this CD is more electronic than acoustic. The sound is poor, and it sounds as if Beck were actually singing out of a barrel. Also, the beat doesn’t change from one song to the next, and if you don’t listen carefully to each song, you could not tell when tracks change. Despite Beck being one of the most creative and versatile musicians in recent years, the songs of this album have no depth. Let’s just hope that Beck surprises with his next. --Ernesto Sánchez (People en Español
Publisher: Interscope Records
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Music is life….
Koyuki Tanaka was feeling the rut, though he’s only a teenager. Between the sheltered and stifling grind of school and the girls that spend their time not noticing him… Every day was just another day of being a total nobody. Enter Ryusuke: a local rock n’ roller haunted by a shady reputation. Together they form Beck, a dynamic band that just might be the salvation of the stagnant music scene. Sure, it’s going to take hard work and obsession to make it, but there’s something special in the sound. If the guys can stay true to their vision, the world awaits. Music can change your life, sometimes against your will. Just remember… When it’s live, anything can happen. The Beck Box Set contains all 6 volumes of the critically acclaimed series. Publisher: Funimation Prod
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Publisher: Interscope
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Japanese only SHM-CD (Super High Material CD - playable on all CD players) pressing. Includes the Japanese only bonus track, 'Ship in a Bottle'. Universal. 2008.
Beck is bummed. Really bummed. And if song titles such as "Lost Cause," "Lonesome Tears," "Already Dead," and "Nothing I Haven't Seen" don't make the point, his achingly sad lyrics and Sea Change's unerringly downcast sound do. While 1998's Mutations--arguably the singer-songwriter's masterwork and Sea Change's spiritual cousin--was filled with unflinching self-examination, moments of levity were found in songs like "Tropicalia." Not so on Sea Change. Beck's woozy, almost narcoleptic delivery seems to amplify the set's sense of ennui. But sad isn't necessarily bad, and despite the somber tone, there's much to praise, not the least of which is the return of producer Nigel Goderich (Mutations, Radiohead), who wraps Beck's gloom in a dreamy, warm blanket of soft strings and floating bleeps and gurgles. Like Daniel Lanois, Goderich is all about vibe, and even Beck's most bare-bones songs benefit from billowy atmospherics. That's especially true of "Paper Tiger," a restless, slowly building epic improbably propelled by a languid orchestra and Beck's expressionless drone. The inky black feel of "Round the Bend"--a glacially slow dirge with muffled vocals--may be the darkest thing Beck's ever written, not counting the very grim "Already Dead." Whatever's going on in Beck's world, at least we know he's purging, which, all things considered, may be better for his soul than ours. --Kim Hughes
Publisher: Interscope
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The Beck Diet Solution is the Missing Ingredient in Weight Loss
Put an end to emotional eating!
Any sensible diet will help you lose weight, but the challenge for 90% of Americans is actually staying on the diet they choose. Enter Dr. Judith Beck and The Beck Diet Solution. Dr. Beck, one of the foremost authorities in the field of Cognitive Therapy, has created a six-week plan that will help people stick with their diet, lose weight with confidence, and keep weight off for a lifetime. This program is not only based on the author's personal success and on her success with her many clients, but also on published research. It all starts with how you think. With other programs, you think about nothing but food: counting, weighing, and worst of all, food you can't have. This way of thinking inevitably contributes to diet failure. The Beck Diet Solution is the only program that helps dieters use Cognitive Therapy methods--scientifically proven over 20 years--to forever change those treacherous thought patterns that lead to overeating, cheating, excuses, and other dieting downfalls. Features
This breakthrough six-week plan assures success by helping you assess the advantages of weight loss, pick a sensible diet and exercise program, set a goal, line up support, and prepare your environment--all this before starting any diet. This unique approach is key to preventing the downfalls that so often lead to failure.
A new task is presented each day to build psychological skills to deal with the challenges of hunger and craving, overeating, alcohol, eating out, special occasions, vacations, stress, and much more. Healthy habits are established with to-do lists, reasons and ways to do the tasks, and how to deal with negative thoughts. One day a week is designated to "Take a Breather."
Easy-to-use, flexible, and proven tools are found throughout the program, including daily goals; weekly planner pages; and motivational coping cards for handling time/energy hurdles, eating out, and other high-risk situations. Author: Judith S. Beck
Publisher: Oxmoor House
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Beck brags here that he's "got two turntables and a microphone." He also has a sweeping aesthetic that sees no reason why musical allusions to hip-hop, the Beatles, James Brown, punk, Gram Parsons, cool jazz, and Dylan can't coexist in the same song. Throughout, he rap-sings with sincere irony--I bet he laughs at the sight of a jump-suited Elvis, then cries when the King starts to sing--and Odelay's rich collage of sound may very well prove a prediction of the future. If he ever finds the courage to can the loopy metaphors and just tell a story, he could take over the world. --David Cantwell
Publisher: Geffen Records
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Publisher: Funimation Prod
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Publisher: Geffen
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Three years after the critically acclaimed and heartwrenching opus "Sea Change," THREE-TIME GRAMMY WINNER and FIVE-TIME MTV VIDEO MUSIC AWARD WINNER BECK returns with his most diverse, accomplished and compelling work to date: "GUERO."
With the raucous first single "E-Pro" triumphantly "na-na-na"-ing Beck's return with a must-be-seen-to-be believed video by Shynola (Queens of the Stone Age, Radiohead), "GUERO" both reunites Beck with classic co-conspirators the Dust Brothers and explores territories uncharted by even this most innovative artist of his generation. Now that Beck has effectively exorcised his personal demons with 2002's hyperconfessional Sea Change, he can get back to the business of being a total fruit loop. We all know what that involves: videogame sound effects, random shouting in Spanish, and rhymes about popsicles and vegetable vans. And that's just the second track. Guero is like every Beck album condensed into one, a no-holds-barred collision of two-turntables and a microphone with the added bonus of guitars, bossa-nova beats, Jack White, lyrics about spaceships, and dumptrucks full of ideas all fighting to be heard above the ruckus. It's an exhausting and exhilarating listen with lots of peaks, such as the digitized power ballad "Broken Drum" and handclap-drenched folk freak-out "Farewell Ride," and more than enough to restore anyone's faith in Beck as one of the most chaotically inspired songwriters of our time. -- Aidin Vaziri
Publisher: Geffen Records
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Hailed as "a deeply natural songwriter" (THE NEW YORKER) who "defies expectations in his own way" (TIME) and "Gen X's most famous absurdist" (BLENDER), BECK is the single most inventive and eclectic figure to emerge from the '90s alternative revolution. In an era obsessed with junk culture, Beck seamlessly blends pop, folk, hiphop, indie/underground and electronica with the end result being an authentically uncategorizeable musical style that nevertheless has sold millions of records and scored multiple Grammy awards.
Three years in the making, THE INFORMATION is the album Beck began work on in 2003 with producer Nigel Godrich (Radiohead's OK Computer, Kid A; Beck's Sea Change, Mutations) and finally completed this year once Guero's massive success and encore touring engagements, as well as Nigel's other commitments, were fulfilled. THE INFORMATION is comprised of 15 songs and a DVD featuring homemade videos for each of the 15 songs shot in-studio during the actual sessions. The artwork for The Information is either non-existent or infinite, depending on one's point of view. Each copy will come in a blank package with one of four collectible sticker sheets specially designed by European and American artists and representative of the unique Beck aesthetic. The stickers will give every Beck fan the opportunity to participate in the creative process by designing his or her own one of a kind CD cover. On The Information, Beck Hansen is seriously bummed out. Not that he sounds it as much as he did on 2002's laconic, Fred Neil-worshipping Sea Change. Technology and stuff, and the way it gets in the way of human interaction, is the subtext if not the full-on concept at play here. Recorded with art-rock anal-retentive Nigel Goodrich at the helm, work began on this album not long after Sea Change but was shelved for a few years while Mr. Hansen made 2005's Guero with the Dust Brothers. Unsurprisingly, it sounds a bit like both of those. The trappings of minimalist pop, fuzzy folk, click-hop, hip-hop, baroque psychedelia, and funky pop are to be found on this endearing release. Like Jean Cocteau or David Bowie, Beck is an artistic chameleon whose greatest gift is knowing which artists to borrow from, and when. The cover artwork consists of stickers that you can arrange however you like, which perhaps appeals too much to your own nostalgic/retro, "Trapper Keeper" sensibilities. And yet, it's kind of awesome, something you can't believe has never been done before. Much like the album it adorns. --Mike McGonigal
Publisher: Interscope Records
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