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A british intelligence officer pressures a swedish oilman to spy on his nazi customers. Studio: Paramount Home Video Release Date: 07/06/2004 Starring: Hugh Griffith Charles Regnier Run time: 140 minutes Rating: Nr Director: George Seaton

Studio: Warner Home Video Release Date: 08/26/2008 Rating: Nr

Robert lomax tired of working in an office wants to try his hand as an artist. So he moves to hong kong to try his hand at painting. Studio: Paramount Home Video Release Date: 06/29/2004 Starring: William Holden Sylvia Syms Run time: 126 minutes Rating: Nr Director: Richard Quine

A prim young Chinese woman on the Kowloon ferry accuses a middle-aged American of stealing her purse--thus begins a culture-clash romance. Seeking to escape his stifled life, Robert (William Holden, Stalag 17, Sunset Boulevard) has come to Hong Kong to become an artist. He rediscovers the girl from the ferry and learns she is not what she seemed; she's a prostitute named Suzie Wong (Nancy Kwan, Flower Drum Song). Though Robert resists her charms, she becomes his model, and their relationship grows surprisingly complex. While The World of Suzie Wong can be patronizing and has some dubious interpretations of Chinese manners and mores, it's also sophisticated (in a censored sort of way) about love, sex, and social pressure. A viewer may scoff at the child-like hookers, yet find the movie accumulates an unexpected emotional force, particularly through its exploration of how the characters maintain their illusions. --Bret Fetzer

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Newsman Mark Elliott is an American war correspondent temporarily staying in Hong Kong during the Korean War. While there he meets and pursues a beautiful Eurasian Doctor. But when they begin to fall in love, their friends and families pressure them to stop the cross cultural relationship.

This love story made in 1955 and set against the backdrop of war is a many-splendored thing: it features a drop-dead gorgeous Eurasian doctor seeking meaning in her life (Jennifer Jones), a dashing but married American war correspondent who's macho yet not afraid to declare his love (William Holden), and a couple of murky subplots to give their relationship its oh-what's-going-to-happen-next edge (her Chinese heritage, his wife, the outbreak of the Korean War). One scene builds beautifully upon the next, accompanied by dialogue that often sounds like poetry: "I will make no mistakes in the name of loneliness," the doctor says near the beginning of their relationship. The movie also makes few mistakes as it combines thoughtful words with Oscar-winning costumes to tell its tale. It even leaves you with a hummable tune--the Academy Award-winning title song--as you reach for the Kleenex. --Valerie J. Nelson

Recalled to duty a lawyer leaves his wife and goes to korea to bomb bridges for an admiral. Studio: Paramount Home Video Release Date: 05/23/2006 Starring: William Holden Fredric March Run time: 102 minutes Rating: Nr Director: Mark Robson

A powerful study of courage in the face of irrational odds, The Bridges at Toko-Ri (based on James Michener's novel) is no less patriotic than many other war films, but it dispenses with gung-ho bluster to focus instead on the very real and tragic consequences of war. This is also one of the first films to openly criticize the morality of the Korean War while praising the honor and integrity of the men who fought it. Lt. Harry Brubaker (William Holden) is one of those men, with one difference: A lawyer with a loving wife (Grace Kelly) and two young daughters, he's been recalled to duty from the Navy Reserve, and reluctantly accepts his mission to fly with a bomber-jet squadron over one of the Communists' most heavily protected targets--the strategically vital bridges in the Korean canyon of Toko-Ri.

Brubaker has his own noble protection, from his fellow pilots (including Charles McGraw in a fine supporting role), his admiring admiral (Frederic March), and from the helicopter scouts (Mickey Rooney and Earl Holliman) who've saved his life on previous missions. But his ambivalence--and his fear that the Toko-Ri mission will be his last--is what gives the film its potent emotional impact. Holden is perfect in his role, and director Mark Robson steadfastly avoids any false sentiment or macho theatrics that would diminish the film's devastating climax. The Bridges at Toko-Ri is also a superlative showcase for Naval operations; the aerial sequences earned an Oscar for special effects, and complete Navy cooperation assures total authenticity in the "flat-top" aircraft carrier scenes. For these and other reasons, this will remain a timeless classic for anyone seeking to comprehend the emotional maelstrom of warfare. --Jeff Shannon

Two worthy Academy Award® nominees from 1950's Sunset Boulevard – actor William Holden and director Billy Wilder – reteamed three years later for the gripping World War II drama, Stalag 17. The result was another Best Director nomination for Wilder (his fourth), and the elusive Best Actor Oscar® for Holden. Holden portrays the jaded, scheming Sergeant J.J. Sefton, a prisoner at the notorious German prison camp, who spends his days dreaming up rackets and trading with the Germans for special privileges. But when two prisoners are killed in an escape attempt, it becomes obvious that there is a spy among the prisoners. Is it Sefton? Famed producer/director Otto Preminger tackles a rare acting role as the camp's commandant; actor Robert Strauss won a Supporting Actor nomination for his role as "Animal." Here's Wilder's powerful, acclaimed film classic -- now packed with never-before-seen special features, including audio commentary and "behind-the-scenes" featurettes.

Black comedy and suspenseful action inside a German POW camp during World War II--a setting that was later borrowed for the TV sitcom Hogan's Heroes. The great director Billy Wilder adapted the hit stage play, applying his own wicked sense of humor to the apparently bleak subject matter. William Holden plays an antisocial grouse amid a gang of wisecracking though indomitable American prisoners. Because of his bitter cynicism, Holden is suspected by the others of being an informer to the Germans, an accusation he must deal with in his own crafty way. Holden, who had delivered a brilliant performance for Wilder in Sunset Boulevard, won the 1953 Best Actor Oscar for Stalag 17. Very much his equal, however, is Otto Preminger, an accomplished director himself, who plays the strict, sneering camp commandant. --Robert Horton