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The FOG brings with it the souls of the dammed. Fog is nothing new to the quaint seaside village of Antonio Bay. But on the night of its 100th anniversary, a fogbank rolls in unlike any other. Eerie lights, dark figures, and the masts of an ancient schooner appear in the swirling mists, and soon the specters of long-murdered sailors descend upon the town. Using knife, hook and sword, they exact revenge for sins committed by the town's founding fathers, leaving horrified survivors struggling to solve a hundred-year crime. And they must solve it - or die. Starring Adrienne Barbeau, Jamie Lee Curtis, John Houseman, Janet Leigh and Hal Holbrook. John Carpenter's THE FOG is classic horror at its terrifying best.

Horror master John Carpenter offers up a triple treat with The Fog: Jamie Lee Curtis, Adrienne Barbeau, and Janet Leigh all in the same movie. As if that weren't enough, both John Houseman and Hal Holbrook make appearances, each clearly enjoying the novelty of being in a horror flick. The Fog opens just before the centennial celebration of the seaside town of Antonio Bay. Then the witching hour strikes, glowing fog rolls in, and all hell breaks loose. Carpenter wrote the script with producer Debra Hill, his collaborator on Halloween, and the two know their craft. It's a creepy story and a tight script, and, as in their previous effort, the audience gets to know the main characters a bit before they're put in danger. The movie also has a sly sense of humor: "Things seem to happen to me," says slasher vet Jamie Lee. "I'm bad luck." Barbeau is also obviously having a great time, sinking her teeth into her role as a frightened disc jockey watching the fog roll in from a lighthouse. The Fog offers a few shocks and plenty of good old-fashioned clammy chills. You'll never look at weather systems the same way again. --Ali Davis

Life changes in an instant. On a foggy beach. In the seconds when Abby Mason—photographer, fiancée soon-to-be-stepmother—looks into her camera and commits her greatest error. Heartbreaking, uplifting, and beautifully told, here is the riveting tale of a family torn apart, of the search for the truth behind a child’s disappearance, and of one woman’s unwavering faith in the redemptive power of love—all made startlingly fresh through Michelle Richmond’s incandescent sensitivity and extraordinary insight.

Six-year-old Emma vanished into the thick San Francisco fog. Or into the heaving Pacific. Or somewhere just beyond: to a parking lot, a stranger’s van, or a road with traffic flashing by. Devastated by guilt, haunted by her fears about becoming a stepmother, Abby refuses to believe that Emma is dead. And so she searches for clues about what happened that morning—and cannot stop the flood of memories reaching from her own childhood to illuminate that irreversible moment on the beach.

Now, as the days drag into weeks, as the police lose interest and fliers fade on telephone poles, Emma’s father finds solace in religion and scientific probability—but Abby can only wander the beaches and city streets, attempting to recover the past and the little girl she lost. With her life at a crossroads, she will leave San Francisco for a country thousands of miles away. And there, by the side of another sea, on a journey that has led her to another man and into a strange subculture of wanderers and surfers, Abby will make the most astounding discovery of all—as the truth of Emma’s disappearance unravels with stunning force.

A profoundly original novel of family, loss, and hope—of the choices we make and the choices made for us—The Year of Fog beguiles with the mysteries of time and memory even as it lays bare the deep and wondrous workings of the human heart. The result is a mesmerizing tour de force that will touch anyone who knows what it means to love a child.


From the Hardcover edition.

Horror master John Carpenter offers up a triple treat with The Fog: Jamie Lee Curtis, Adrienne Barbeau, and Janet Leigh all in the same movie. As if that weren't enough, both John Houseman and Hal Holbrook make appearances, each clearly enjoying the novelty of being in a horror flick. The Fog opens just before the centennial celebration of the seaside town of Antonio Bay. Then the witching hour strikes, glowing fog rolls in, and all hell breaks loose. Carpenter wrote the script with producer Debra Hill, his collaborator on Halloween, and the two know their craft. It's a creepy story and a tight script, and, as in their previous effort, the audience gets to know the main characters a bit before they're put in danger. The movie also has a sly sense of humor: "Things seem to happen to me," says slasher vet Jamie Lee. "I'm bad luck." Barbeau is also obviously having a great time, sinking her teeth into her role as a frightened disc jockey watching the fog roll in from a lighthouse. The Fog offers a few shocks and plenty of good old-fashioned clammy chills. You'll never look at weather systems the same way again. --Ali Davis

White Plastic Bottle, Unscented Fog Juice, Water Base are made under strict manufacture specifications, and are designed for use with most machines in the market. Our fluids have no oil residue, are non-toxic, and are made of pharmaceutical grade chemicals that are approved by the Food & Drug Administration.

From producer John Carpenter comes the all-new retelling of his terror classic, The Fog. Tom Welling (TV's Smallville), Maggie Grace (TV's Lost) and Selma Blair (Hellboy) star in this senses-shattering tale of demonic retribution, directed by Rupert Wainwright (Stigmata) and written by Cooper Layne. Trapped within an eerie mist, the residents of Antonio Bay have become the unwitting victims of a horrifying vengeance. One hundred years ago, a ship carrying lepers was purposely lured onto the rocky coastline and sunk, drowning all aboard. Now they're back, long-dead mariners who've waited a century for their revenge. Seeking out the decendents of those reponsible for their deaths, they lurk enshrouded within a supernatural fog of terror. Beware, any and all who stand in their way.

Eliminates fogging and steaming of interior glass and mirrors.

Is there an explanation for the thousands of people who have disappeared in the Bermuda Triangle? What can we learn from Charles Lindbergh, Christopher Columbus, and Bruce Gernon-the co-author of this book-who have survived their frightening encounters in this region?

The Fog presents Gernon's exciting new theory of the Bermuda Triangle, based upon his firsthand experiences, reports of other survivors, and scientific research. Gernon and MacGregor intelligently discuss how a meteorological phenomenon, electronic fog, may explain the bizarre occurrences in this region: equipment malfunctions, disorientation among pilots, and time distortions. They also explore the fascinating history of this infamous region and its potential link to Atlantis, UFO sightings, and a secret navy base on Andros Island.

Rob MacGregor has written several books on New Age topics and has won the Edgar Allan Poe award in mystery writing. Both Gernon and MacGregor live in South Florida, on the edge of the Bermuda Triangle. Bruce Gernon is a pilot who has flown extensively in the Caribbean. He has appeared in many documentaries about the Bermuda Triangle.

Sophomore album from innovative alternative hip hop artist features 11 tracks packaged in a cardboard gatefold sleeve. Ninja Tune. 2003.

"Elegant and powerful...an unusual and volatile...literary thriller." --Washington Post Book World


In this riveting novel of almost unbearable suspense, three fragile yet determined people become dangerously entangled in a relentlessly escalating crisis. Colonel Behrani, once a wealthy man in Iran, is now a struggling immigrant willing to bet everything he has to restore his family's dignity. Kathy Niccolo is a recovering alcoholic and addict whose house is all she has left, and who refuses to let her hard-won stability slip away from her. Sheriff Lester Burdon, a married man who finds himself falling in love with Kathy, becomes obsessed with helping her fight for justice.

Drawn by their competing desires to the same small house in the California hills--and what it represents to each of them--and doomed by their tragic inability to understand one another, the three converge on an explosive collision course. Combining unadorned realism with profound empathy, House of Sand and Fog is a devastating exploration of the American Dream gone awry.

Oprah Book Club® Selection, November 2000: Andre Dubus III wastes no time in capturing the dark side of the immigrant experience in America at the end of the 20th century. House of Sand and Fog opens with a highway crew composed of several nationalities picking up litter on a hot California summer day. Massoud Amir Behrani, a former colonel in the Iranian military under the Shah, reflects on his job-search efforts since arriving in the U.S. four years before: "I have spent hundreds of dollars copying my credentials; I have worn my French suits and my Italian shoes to hand-deliver my qualifications; I have waited and then called back after the correct waiting time; but there is nothing." The father of two, Behrani has spent most of the money he brought with him from Iran on an apartment and furnishings that are too expensive, desperately trying to keep up appearances in order to enhance his daughter's chances of making a good marriage. Now the daughter is married, and on impulse he sinks his remaining funds into a house he buys at auction, thus unwittingly putting himself and his family on a trajectory to disaster. The house, it seems, once belonged to Kathy Nicolo, a self-destructive alcoholic who wants it back. What starts out as a legal tussle soon escalates into a personal confrontation--with dire results.

Dubus tells his tragic tale from the viewpoints of the two main adversaries, Behrani and Kathy. To both of them, the house represents something more than just a place to live. For the colonel, it is a foot in the door of the American dream; for Kathy, a reminder of a kinder, gentler past. In prose that is simple yet evocative, House of Sand and Fog builds to its inevitable denouement, one that is painfully dark but unfailingly honest. --Alix Wilber