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This is the one jazz record owned by people who don't listen to jazz, and with good reason. The band itself is extraordinary (proof of Miles Davis's masterful casting skills, if not of God's existence), listing John Coltrane and Julian "Cannonball" Adderley on saxophones, Bill Evans (or, on "Freddie Freeloader," Wynton Kelly) on piano, and the crack rhythm unit of Paul Chambers on bass and Jimmy Cobb on drums. Coltrane's astringency on tenor is counterpoised to Adderley's funky self on alto, with Davis moderating between them as Bill Evans conjures up a still lake of sound on which they walk. Meanwhile, the rhythm partnership of Cobb and Chambers is prepared to click off time until eternity. It was the key recording of what became modal jazz, a music free of the fixed harmonies and forms of pop songs. In Davis's men's hands it was a weightless music, but one that refused to fade into the background. In retrospect every note seems perfect, and each piece moves inexorably towards its destiny. --John Szwed

JAZZ is a ten-part nearly nineteen-hour documentary series that celebrates America's greatest original art form a music whose improvisational spirit perfectly reflects the nation that gave it birth. It is the first television series ever to tell the story of jazz. Beginning with the birth of jazz at the dawn of the Twentieth Century the film incorporates the wide range of American culture and historical events that interact directly with the music: among them the harsh racial polarization of the 1890s; the artistic and political ferment of the Harlem Renaissance; the exuberance of the Jazz Age; the Great Depression and the New Deal; the Second World War; the emergence of a youth culture in the 1950s and 1960s; the hope anger and expectations of the civil rights movement; and the search for identity and authenticity in the 1970s 1980s and 1990s.DVD Features: Featurette: "Making of Jazz"Additional Scenes: Three full length performances not seen in the filmPlaylist information for over 500 songs Music and Photo creditsSystem Requirements: Running Time 1140 MinFormat: DVD MOVIE Genre: DOCUMENTARIES/MISC. UPC: 841887051255 Manufacturer No: 705125

Accompanied by a menagerie of products, Ken Burns's expansive 10-episode paean, Jazz, completes his trilogy on American culture, following The Civil War and Baseball. Spanning more than 19 hours, Jazz is, of course, about a lot more than what many have called America's classical music--especially in episodes 1 through 7. It's here that Burns unearths precious visual images of jazz musicians and hangs historical narratives around the music with convincing authority. Time can stand still as images float past to the sound of grainy vintage jazz, and the drama of a phonograph needle being placed on Louis Armstrong's celestial "West End Blues" is nearly sublime.

The film is also potent in arguing that the history of race in the 20th-century U.S. is at jazz's heart. But a few problems arise. First is Burns's reliance on Wynton Marsalis as his chief musical commentator. Marsalis might be charming and musically expert, but he's no historian. For the film to devote three of its episodes to the 1930s, one expects a bit more historical substance. Also, Jazz condenses the period of 1961 to the present into one episode, glossing over some of the music's giant steps. Burns has said repeatedly that he didn't know much about jazz when he began this project. So perhaps Jazz, for all its glory, would better be called Jazz: What I've Learned Since I Started Listening (And I Haven't Gotten Much Past 1961). For those who are already passionate about jazz, the film will stoke debate (and some derision, together with some reluctant praise). But for everyone else, it will amaze and entertain and kindle a flame for some of the greatest music ever dreamed. --Andrew Bartlett

In the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, middle-aged door-to-door salesman of Cleopatra beauty products, shoots his teenage lover to death. At the funeral, Joe’s wife, Violet, attacks the girl’s corpse. This passionate, profound story of love and obsession brings us back and forth in time, as a narrative is assembled from the emotions, hopes, fears, and deep realities of black urban life.

A Smooth Jazz collection of songs that paint a vivid and emotional portrait of the night. Featuring twelve tracks from some of Smooth Jazz's best-known artists and a brand new track produced by Brian Bromberg featuring up and coming trumpet player Tony Guerrero, "Smooth Jazz At Midnight" is a touching account of the passion, mystery, and serenity that can only be found after dark. Whether you are driving home late at night, or at home by the fire, this is the music of the night.

Jazz Icons: John Coltrane provides an epic 95-minute overview of a true giant of 20th-century music. Three separate shows reveal Coltrane's ascending creative arc from hard bop innovator as a member of the Miles Davis Quartet in 1960 to consummate bandleader in 1961 to unrivalled jazz visionary in 1965. This DVD not only features Trane's classic quartet with Elvin Jones (drums), Jimmy Garrison (bass) and McCoy Tyner (piano), but also spotlights him onstage with other jazz legends including Stan Getz, Eric Dolphy and Oscar Peterson. Includes mind-blowing versions of his signature tunes "My Favorite Things" and "Impressions".

As Ashley Kahn points out in his informative liner notes, there aren't many visual recordings of jazz giant John Coltrane in circulation--or, possibly, in existence. In capturing the saxophonist in three different phases in his too-brief career, this installment in the inestimable Jazz Icons video series performs a valuable service. The 92-minute DVD includes a 1960 performance in Dusseldorf, Germany, featuring Coltrane on tenor with his mates from Miles Davis's rhythm section, jamming on Miles's tunes; a 1961 performance in Baden Baden, Germany, with Coltrane on soprano and tenor, and Eric Dolphy on alto sax and flute, backed by pianist McCoy Tyner, bassist Reggie Workman, and super-drummer Elvin Jones; and a surpassingly intense 1965 Belgium performance by "the Classic Quartet," with Jimmy Garrison replacing Workman. The black-and-white footage, some of it from broadcast sources, is sometimes striking, sometimes too shadowy (the dated camera effects, while evincing a certain period charm, still don't help). And a rare meeting of Coltrane and tenor great Stan Getz at the end of the Dusseldorf set is compromised by the poor miking of Getz. But we'll put up with such imperfections to hear the primal force of Trane's playing cut through the years, on songs ranging from "Autumn Leaves," to "Impressions," to "My Favorite Things." Trane lives. --Lloyd Sachs

More pick to hang on to! Made to spec incorporating the original Dunlop Nylon Jazz III tip and texture combination that has made the Jazz III a chosen favorite. Dunlop has extended the gripping surface for added maneuverability and grip.

It¿s time to kick back and chill and here¿s a cool way to do it! Drop one of these groovy guitars into your drink, and give it a stir. Just the thing for jazzing up your favorite beverage.

Transformers Jazz reissue imported from Japan. From the Transformers Encore reissue series only released in Japan. Nearly identical to the original version. Brand new in sealed full color packaging.

Midas Records is proud to announce the first ever CD from The Weather Channel ®, "The Best of Smooth Jazz." As 2007 marks the network's 25th anniversary, it also heralds the network's entry into retail music. Music has long been a source of interest for viewers who have been writing in for years asking where they can purchase the music they enjoy during the "Local on the 8s" segment, broadcast 288 minutes each day! The 12-song collection features the Channel's most requested music by such known artists as Dave Koz, Najee, Chick Corea, Pieces of a Dream, Joyce Cooling, Jeff Lorber, Four 80 East, 3rd Force and Paprika Soul. The CD also includes 3 most-requested songs heard only on The Weather Channel by Jeanne Ricks, Ryan Farish and Mark Krumowski.

History of Music on The Weather Channel

People who keep an eye on the weather also have an ear for music, judging from the huge number of inquiries from viewers of The Weather Channel, who have been asking "where can I get that music I just heard?" That's why a CD of "Local on the 8s" music from The Weather Channel is being presented. For the very first time, fans and admirers of the music have an opportunity to have their own compilation of many favorites.

Seven years ago, The Weather Channel stepped up its efforts to select music that viewers would enjoy. The responsibility was assigned to a network producer who had what some would call a "dream job" - spending hour after hour at music stores finding songs and artists that were right for The Weather Channel audience. Soon, viewers began to take notice of the fresh and contemporary sound of the new musical selections on The Weather Channel. The on-air music was well-received. Some people said that they kept the network on all day to stay in touch with the weather as well as to enjoy the music in the background.

Four years ago, the producer further refined the music "playlist" by scheduling different types of sounds during different parts of the day. For example, during the daytime, the music is light and upbeat. Moving into the evening, the selections have a slower tempo and are more sultry. And then they become even more mellow during the late night.

This blend of the many moods of jazz is captured on our first CD of "Local on the 8s." Out of over 3,000 songs that have been played over the years during local weather on The Weather Channel, we are proud to bring you a collection of favorites on our "Smooth Jazz" release.