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This reusable nipple covers can be worn up to 20 times under clingy fabrics and sexy bikinis since they are waterproof. Wear them for a more confident, discreet look.

For the smoothest, most discreet look under sheer or clingy fabrics. These disposable nipple covers mold to the breast shape and feature non-sensitizing adhesive with a soft, absorbent center. Perfect for tanks, formal wear, topless tanning, chafing prevention and more. Waterproof so you can wear while you swim or workout. Includes 5 pairs.

Set includes Quilt, Bumper, Fitted Crib Sheet, Dust Ruffle, Diaper Stacker and Valance.

the collection of photography in Petals captures the unigue beauty and central mystery of a womans body - the full flower of her vulva

These soft, flexible nipple covers mold to fit your shape to provide a natural boost and eliminate show through. Reuse up to 30 times.

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Get rid of your save-the-world fantasies.

That’s what he had told them. After all, it’s hopeless, isn’t it?
Climate crashing. CO2 climbing. Biosphere dying. Population exploding. Oil disappearing. Civilizations collapsing.
The final days of the Age of Man. The end of the Anthropocene.
And what could a couple of ordinary people do about it anyway?
Not much, maybe.
Unless they happen to be Buck and Petal.
And you give them ninety days.

In this monumental eco-thriller, disaster guy Buck Planck and society columnist Petal Steele have three months to undo ten thousand years' worth of human damage to the ecosystem, save civilization from the end of oil, and beat a bum rap about a bunch of stolen nukes. This might not be so hard if they weren't stranded on the Greenland ice sheet in their Speedos.

Meet Sugar, a nineteen-year-old prostitute in nineteenth-century London who yearns for escape to a better life. From the brothel of the terrifying Mrs. Castaway, she begins her ascent through society, meeting a host of lovable, maddening, unforgettable characters on the way. They begin with William Rackham, an egotistical perfume magnate whose empire is fueled by his lust for Sugar; his unhinged, child-like wife Agnes; his mysteriously hidden-away daughter, Sophie; and his pious brother Henry, foiled in his devotional calling by a persistently less-than-chaste love for the Widow Fox. All this is overseen by assorted preening socialites, drunken journalists, untrustworthy servants, vile guttersnipes, and whores of all stripes and persuasions.
Teeming with life, this is a big, juicy must-read of a novel that has enthralled hundreds of thousands of readers-and will continue to do so for years to come.

Although it's billed as "the first great 19th-century novel of the 21st century," The Crimson Petal and the White is anything but Victorian. The story of a well-read London prostitute named Sugar, who spends her free hours composing a violent, pornographic screed against men, Michel Faber's dazzling second novel dares to go where George Eliot's The Mill on the Floss and the works of Charles Dickens could not. We learn about the positions and orifices that Sugar and her clients favor, about her lingering skin condition, and about the suspect ingredients of her prophylactic douches. Still, Sugar believes she can make a better life for herself. When she is taken up by a wealthy man, the perfumer William Rackham, her wings are clipped, and she must balance financial security against the obvious servitude of her position. The physical risks and hardships of Sugar's life (and the even harder "honest" life she would have led as a factory worker) contrast--yet not entirely--with the medical mistreatment of her benefactor's wife, Agnes, and beautifully underscore Faber's emphasis on class and sexual politics. In theme and treatment, this is a novel that Virginia Woolf might have written, had she been born 70 years later. The language, however, is Faber's own--brisk and elastic--and, after an awkward opening, the plethora of detail he offers (costume, food, manners, cheap stage performances, the London streets) slides effortlessly into his forward-moving sentences. When Agnes goes mad, for instance, "she sings on and on, while the house is discreetly dusted all around her and, in the concealed and subterranean kitchen, a naked duck, limp and faintly steaming, spreads its pimpled legs on a draining board." Despite its 800-plus pages, The Crimson Petal and the White turns out to be a quick read, since it is truly impossible to put down. --Regina Marler

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