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This Amazon.com exclusive version of River: The Joni Letters includes two bonus tracks, "All I Want" featuring Sonya Kitchell and "A Case of You."
The legendary pianist and innovator Herbie Hancock explores the words and music of another musical pioneer, Joni Mitchell, on his first new studio recording for Verve since 1998's GRAMMY® award-winning Gershwin's World.
Inspired in equal parts by Mitchell's poetic lyrics and unique melodies, Hancock and saxophone giant Wayne Shorter play with a restraint and elegance that achieves a perfect balance between the adventurous aesthetics of jazz improvisation and the emotional directness of the finest Adult Pop music.
Hancock builds upon his (and Shorter's) previous collaborations with Ms. Mitchell to create a sound that will appeal not only to fans of both artists, but to the listener familiar with the work of Norah Jones, Corinne Bailey Rae and the other brilliant guest vocalists featured on this session. River: The Joni Letters is the perfect CD for the music fan looking for something new that's based in the familiar. On paper, River sounds like a match made in several versions of heaven. Legendary pianist Herbie Hancock re-imagines Joni Mitchell with his hand-picked, star-studded band--including saxophonist Wayne Shorter--in tow. Luminary guests lend vocals to a song apiece: Norah Jones ("Court and Spark"), Tina Turner ("Edith and the Kingpin"), Corinne Bailey Rae ("River"), Luciana Souza ("Amelia"), Leonard Cohen (with an unsettlingly sanguine version of "The Jungle Line"), even Mitchell herself ("Tea Leaf Prophecy"). In the event, though, a few fundamental elements go awry. Hancock plays with almost saccharine understatement throughout, and even Shorter's seminal "Nefertiti" and Duke Ellington's "Solitude" fall into the album's presiding, somnolent surface, though to a lesser degree does the instrumental version of Mitchell's "Sweet Bird." But girding, and in some measure, saving, the proceedings, the lyrics here testify to a subtler wisdom guiding Hancock's set list. The mix includes a continuum from intrepid classics to dusty, fans-only fare, but a distinct reverence for Joni Mitchell the Poet threads them together, and, in the end, this album works best as a sleepy window into one fan's giddy and particular love affair with his source material. Fans of Hancock win out. --Jason Kirk
Publisher: Verve
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An independent farm family must fight against the local power authorities when they plan to flood the couples land to make way for a hydroelectric project. Studio: Uni Dist Corp. (mca) Release Date: 09/28/2004 Starring: Mel Gibson Sissy Spacek Run time: 124 minutes Rating: Pg13
Publisher: Universal Studios
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From a remote corner of a vanishing American landscape, a bereaved father begins a journey down the river that has been all but inseparable from his life. At the river’s origin the shallow stream courses through the ranch where he was born. It is where he fell in love the first time and where the ashes of his son have been poured. “Now, before it’s too late, before I lose the will to do anything, I am leaving this land to follow the sticks I dropped into the river so long ago.” But this man’s passage along the interlacing rivers to the ocean will not be simple or disconnected from the life he leaves behind. His estranged son’s last angry words echo in his memory, and despite moments of pure concentration on the waters ahead, the solitary voyager finds the past seeping into his thoughts and dreams. In River, novelist Lowen Clausen has created a story of deep beauty and seriousness, in which he weaves together the complex threads of one man’s search for wholeness. Clausen’s rich, elegiac prose becomes its own landscape and river, transporting the reader on a journey through despair and doubt into discovery. Author: Lowen Clausen
Publisher: Silo Press
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The legendary pianist and innovator explores the words and music of another musical pioneer JONI MITCHELL on his first new studio recording for Verve since 1998’s GRAMMY® Award winner Gershwin’s World. Inspired in equal parts by Mitchell’s poetic lyrics and unique melodies/harmonies, the musicians play with a restraint and elegance (on both the instrumental and vocal tracks) that achieves a perfect balance between the adventurous aesthetics of jazz improvisation and the emotional directness of the finest Adult Pop music Herbie Hancock’s latest recording Possibilities has scanned nearly 400,000 units. Joni Mitchell’s brand new album also releases on 9/25 early confirmed media includes: NPR Morning Edition feature (airdate TBD); NY Times Arts & Leisure Fall Preview; review in The New Yorker.
On paper, River sounds like a match made in several versions of heaven. Legendary pianist Herbie Hancock re-imagines Joni Mitchell with his hand-picked, star-studded band--including saxophonist Wayne Shorter--in tow. Luminary guests lend vocals to a song apiece: Norah Jones ("Court and Spark"), Tina Turner ("Edith and the Kingpin"), Corinne Bailey Rae ("River"), Luciana Souza ("Amelia"), Leonard Cohen (with an unsettlingly sanguine version of "The Jungle Line"), even Mitchell herself ("Tea Leaf Prophecy"). In the event, though, a few fundamental elements go awry. Hancock plays with almost saccharine understatement throughout, and even Shorter's seminal "Nefertiti" and Duke Ellington's "Solitude" fall into the album's presiding, somnolent surface, though to a lesser degree does the instrumental version of Mitchell's "Sweet Bird." But girding, and in some measure, saving, the proceedings, the lyrics here testify to a subtler wisdom guiding Hancock's set list. The mix includes a continuum from intrepid classics to dusty, fans-only fare, but a distinct reverence for Joni Mitchell the Poet threads them together, and, in the end, this album works best as a sleepy window into one fan's giddy and particular love affair with his source material. Fans of Hancock win out. --Jason Kirk
Publisher: MISC
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Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force.
When speaking of Jean Renoir's timeless masterpiece The River, one can easily exhaust their supply of superlatives. Frequently listed among the greatest films ever made, it was Renoir's first English-language film and his first in color…and what rich, astonishing Technicolor it is! Shot by Renoir's nephew Claude, the film is a love letter to India, seen through the eyes (and narrated as memories) of an adolescent British girl living with her family near the banks of the Ganges, a location which allowed Renoir to indulge his burgeoning affection for the region, it's people, and the exotic allure of the Orient. Under challenging conditions, Renoir and author Rumer Godden adapted Godden's autobiographical novel into an elegant, loosely plotted reflection on the romance of India, and on coming of age in a culture that, until then, few Western filmgoers had ever seen on screen. (To enhance this journey to a new world, Renoir used Indian music recorded live in Calcutta instead of a traditional score; the effect is hypnotically inviting.) Blessed with eternal lessons of life, death, and love, The River offers a transcendent film experience, guaranteed to touch the heart of anyone who sees it. The film was meticulously restored to its original glory in 2004; Criterion's DVD release preserves that restoration with a pristine digital transfer. --Jeff Shannon
Publisher: Criterion
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Publisher: Epic
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Hailed as one of the year's top five novels by Time, and selected as one of the best books of the year by nearly all major newspapers, national bestseller Peace Like a River captured the hearts of a nation in need of comfort. "A rich mixture of adventure, tragedy, and healing," Peace Like a River is "a collage of legends from sources sacred and profane -- from the Old Testament to the Old West, from the Gospels to police dramas" (Ron Charles, The Christian Science Monitor). In "lyrical, openhearted prose" (Michael Glitz, The New York Post), Enger tells the story of eleven-year-old Reuben Land, an asthmatic boy who has reason to believe in miracles. Along with his sister and father, Reuben finds himself on a cross-country search for his outlaw older brother who has been controversially charged with murder. Their journey is touched by serendipity and the kindness of strangers, and its remarkable conclusion shows how family, love, and faith can stand up to the most terrifying of enemies, the most tragic of fates. Leif Enger's "miraculous" (Valerie Ryan, The Seattle Times) novel is a "perfect book for an anxious time ... of great literary merit that nonetheless restores readers' faith in the kindness of stories" (Marta Salij, Detroit Free Press).
To the list of great American child narrators that includes Huck Finn and Scout Finch, let us now add Reuben "Rube" Land, the asthmatic 11-year-old boy at the center of Leif Enger's remarkable first novel, Peace Like a River. Rube recalls the events of his childhood, in small-town Minnesota circa 1962, in a voice that perfectly captures the poetic, verbal stoicism of the northern Great Plains. "Here's what I saw," Rube warns his readers. "Here's how it went. Make of it what you will." And Rube sees plenty.
In the winter of his 11th year, two schoolyard bullies break into the Lands' house, and Rube's big brother Davy guns them down with a Winchester. Shortly after his arrest, Davy breaks out of jail and goes on the lam. Swede is Rube's younger sister, a precocious writer who crafts rhymed epics of romantic Western outlawry. Shortly after Davy's escape, Rube, Swede, and their father, a widowed school custodian, hit the road too, swerving this way and that across Minnesota and North Dakota, determined to find their lost outlaw Davy. In the end it's not Rube who haunts the reader's imagination, it's his father, torn between love for his outlaw son and the duty to do the right, honest thing. Enger finds something quietly heroic in the bred-in-the-bone Minnesota decency of America's heartland. Peace Like a River opens up a new chapter in Midwestern literature. --Claire Dederer Author: Leif Enger
Publisher: Atlantic Monthly Press
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Despite the acclaim accorded Born to Run and Darkness on the Edge of Town, this is the album that broke Springsteen into the big leagues, thanks to "Hungry Heart," then his most pointedly commercial song; it had new fans swooning but some old ones grumbling for the "poetic" Springsteen of days gone by. Not to worry--though more economical lyrically, The River had something to offer nearly everyone: There's old-time frat rock ("Sherry Darling"), empathetic character studies ("The River," "Stolen Car," "Independence Day"), passionate rockers ("Out in the Street"), dramatic ballads ("Point Blank"), and even a couple of good-natured goofs ("Cadillac Ranch," "Crush on You," "Ramrod"). A sprawling double-disc set, The River offers proof that Springsteen could do it all and could do it better than virtually anyone else. --Daniel Durchholz
Publisher: Sony
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An engrossing story of two brother living in montana under the stern hand of a minister father. Special features: full screen and widescreen versions subtitles: english french spanish and portuguese talent files and theatrical trailers. Studio: Sony Pictures Home Ent Release Date: 12/21/2004 Starring: Brad Pitt Craig Sheffer Run time: 124 minutes Rating: Pg Director: Robert Redford
A lyrical and nostalgic film from director Robert Redford (Quiz Show, Ordinary People), based on the popular autobiographical novel by Norman MacLean, A River Runs Through It shows the best that modern filmmaking has to offer. The film chronicles two brothers coming of age in early-20th-century Missoula, Montana, under the stern tutelage of their minister father, played by Tom Skerritt (Top Gun). Their father instills in them a love of fly fishing, which for one brother (Brad Pitt) becomes a lifelong passion even as he sets out to become a newspaperman and struggles with his addiction to gambling. The other brother, Norman (Craig Sheffer), dreams of exploring the world outside of Missoula as he falls in love with a local girl (Emily Lloyd) who also dreams of broader horizons. Soon one brother must discover the true meaning of family loyalty when the other finds himself in deeper trouble than ever before. Redford, who also narrates the film, does a masterful job in re-creating the period and in drawing out affecting performances from his young cast. An Oscar winner for Philippe Rousselot's luminescent cinematography, this is a poignant and special film. --Robert Lane
Publisher: Sony Pictures
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A powerfully emotional and beautifully written story of heartbreaking loss and undying love Author: Charles Martin
Publisher: Broadway
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