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Though it is rich with Twilight Zone-esque images, sexual and racial stereotypes, and charmingly transparent plots, this anthology is surprisingly refreshing. After a full decade of cybermania and nanotech angst, Science Fiction Classics offers a trip through time to a more innocent, earnest age. It's amusing to see how mistrusting of science our forefathers were, even as they embraced it; but it's even more interesting to examine the roots of today's SF and wonder where the next generation will go with it. Science Fiction Classics allows us to graph science fiction's various incarnations--from dark, paranoid horror stories; drippy fairytales; and florid, pulpy SF to the more modern character-driven sagas; huge-scale space operas; and the aggro-techno seizures of the '90s. With few exceptions--one of which is "Farewell to the Master" on which The Day the Earth Stood Still is based--these stories are not works of art. In fact, some of them are downright hard to get through. What they are is a loosely focused prism through which we can examine the genesis of a genre. --Jhana Bach

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Chapter 5: "Murder Car" (13:21) Chapter 6: "Hills of Death" (13:21) Chapter 7: "Comouflaged Destruction" (13:21) Chapter 8: "The Enemy Planet" (13:22)

From the mind of science-fiction giant Ray Bradbury springs what is perhaps his most epic vision. Capturing mankind's first venture into the colonization of another planetand its tragic first contact with another species"The Martian Chronicles" is a stunning achievement that will take you from the edge of your seat'to the stars. Earth is on the verge of extinction. To survive, mankind must find another place to live. But when three expeditions to Mars, headed by Col. John Wilder (OscarÂ(r) nominee* Rock Hudson), find suitable conditions for relocation, humans pour in bythe shipload, bringing the old evils of Earth with them! As Wilder begins to heed the lessons of the dying Martian civilization, can he save humanity from repeating its doom? *1956: Actor, Giant

With each passing year, this 1980 miniseries becomes more for those who have read Ray Bradbury's landmark novel. The three-part, nearly five-hour series keeps its brainy science fiction roots; this story (and the 1940s novel) is not about laser battles and exciting action pieces. Bradbury's novel is galvanized by the cold war nightmare: at the end of the 20th century, an earth teetering on world war begins to colonize Mars without much knowledge of the new world. Hard science is left for other stories, and director Michael Anderson (Logan's Run) keeps this retrofitting: for example, astronauts arrive on a breathable Mars in leisure suits. The space travel effects are clunky, but the action on Mars--with Assheton Gorton's geometric sets and simple props--are far more effective. There are Martians there, as the unprepared first Earthlings learn. Later, as the planet is quickly colonized, the remaining Martians are near specters--bringing awe and fear to those they encounter. Master sci-fi writer Richard Matheson (I Am Legend) smartly streamlines Bradbury's episodic stories, giving a central role to Col. John Wilder (played by Rock Huston, leading a plethora of solid, yet B-list actors). For those in love with cerebral science fiction, they can enjoy this dated but curious sci-fi miniseries; for those of think sci-fi began with Star Wars, beware. --Doug Thomas

This classic study of horror and science fiction movies was first published in 1967, the year before films such as Rosemary's Baby and 2001: A Space Odyssey transformed both genres. Readers interested in the many horror and science fiction films made before the modern era of graphic violence and special-effects extravaganzas will be enthralled by An Illustrated History of Horror and Science Fiction Film. It summarizes the plots and relates the importance of a wide variety of relevant films, from the early work of Georges Méliès and the German expressionists to Universal Pictures horror movies such as the original Dracula and Frankenstein to the suggestively atmospheric work of Val Lewton and the sci-fi classics of the 1950s. Clarens makes fascinating observations about the mythical value of these films and their cathartic effect on viewers. His insights are so powerful and expressive that J. Hoberman, who wrote an introduction to the book's 1997 reissue, found that "this idiosyncratic genre history was really an idiosyncratic history of the commercial cinema as it had developed, in Europe and America, from the 1890s through the mid-1960s." An Illustrated History of Horror and Science Fiction Film contains scores of terrific black-and-white illustrations and a detailed filmography.

Full Moon Features brings you a new movie that is simplyout of this world! From Angel City to the barren desert razor sharp claws, killer parasites, deadly websites, and world destruction prevail. But, fear not! Bradbury, Jack Deth, Zack Stone and Paul D

n Mission: Red Planet, each player plays a colonial power which sends astronauts, in space shuttles, to occupy the most promising zones on the planet. For scholars, the systems merge a majority game, à la El Grande or San Marco, with a character/action card system, somewhere between Citadels and Adel Verpflichtet. Nothing really new here, but there was much work on it and we're really proud of the result.