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Excellent Condition

Today I feel silly. Mom says it's the heat.
I put rouge on the cat and gloves on my feet.
I ate noodles for breakfast and pancakes at night.
I dressed like a star and was quite a sight.

Today I am sad, my mood's heavy and gray.
There's a frown on my face and it's been there all day.
My best friend and I had a really big fight.
She said that I tattled and I know that she's right.

Silly, cranky, excited, or sad--everyone has moods that can change each day. Jamie Lee Curtis's zany and touching verse, paired with Laura Cornell's whimsical and original illustrations, helps kids explore, identify, and, even have fun with their ever-changing moods.

Here's another inspired picture book from the bestselling author-illustrator team of Tell Me Again About the Night I Was Born and When I Was Little: A Four-Year-Old's Memoir of Her Youth.

Jamie Lee Curtis has starred in many movies, but she says that the children's books she has written mean more to her than any of her films. She and artist Laura Cornell have previously collaborated on two bestselling books: Tell Me Again About the Night I Was Born and When I Was Little: A Four-Year-Old's Memoir of Her Youth. This time, we follow a little girl with curly red hair through 13 different moods, beginning with silly: "Today I feel silly. / Mom says it's the heat. I put rouge on the cat / and gloves on my feet." Of course, silly soon turns to grumpy and mean... to excited... to confused, and so on. Recognizing one's own mood swings is a developmental milestone, one that some adults haven't yet mastered! Cornell's watercolor illustrations--wildly expressive and energetic--effectively capture the volatility of our redheaded star. Whether she is happy or mad or dancing a solo in jazz, she is always "full of pizzazz," and this book is, too. A clever mood wheel on the last page allows young readers to change the little girl's expression--both her eyes and mouth. This is silly fun with a smart lesson for children from ages 4 to 8. --Marcie Bovetz

CRAYOLA SILLY PUTTY - The real solid liquid. Nonhardening nontoxic clay. Mold into animals and other shapes, pulls like taffy yet will break into separate pieces. Ages 4 and up. Rated AP nontoxic, conforms to ASTM D-4236.

Few comics make the transition from stage to page as smoothly or successfully as George Carlin. Brain Droppings spent a total of 40 weeks on the New York Times bestseller list, and this new one is certain to tickle even more ribs (and rattle a few more cages) with its characteristically ironic take on life's annoying universal truths. In Napalm & Silly Putty, Carlin doesn't steer clear of the tough issues, preferring instead to look life boldly in the eye to pose the questions few dare to ask:

How can it be a spy satellite if they announce on TV that it's a spy satellite?

Why do they bother saying "raw sewage"? Do some people cook that stuff?

In the expression "topsy-turvy," what exactly is meant by "turvy"?
And he makes some startling observations, including:

Most people with low self-esteem have earned it.
Guys don't seem to be called "Lefty" anymore.
Most people don't know what they're doing, and a lot of them are really good at it.
Carlin also waxes wickedly philosophical on all sorts of subjects, including:


On kids: They're not all cute. In fact, if you look at them closely, some of them are rather unpleasant looking. And a lot of them don't smell too good either.

On death row: If you're condemned to die they have to give you one last meal of your own request. What is that all about? A group of people plan to kill you, so they want you to eat something you like?
Add to the mix "The Ten Most Embarrassing Songs of All Time," "The 20th Century Hostility Scoreboard," and "People I Can Do Without," and you have an irresistibly insouciant assortment of musings, questions, assertions, and assumptions guaranteed to please the millions of fans waiting for the next Carlin collection -- and the millions more waiting to discover this comic genius.

Standup comic George Carlin follows up his dark-horse smash bestseller Brain Droppings with another compendium of cranky meditations, cinching his reputation as the Andy Rooney of boomer hepcats. "Road rage, air rage," Carlin rails. "Why should I be forced to divide my rage into separate categories? To me, it's just one big, all-around, everyday rage. I don't have time for fine distinctions." Carlin is not into the lengthy essay--he's a sprinter of the mind. Most sentences in the book could be lifted out to stand alone and provoke deep thought: "How can it be a spy satellite if they announce on television that it's a spy satellite?" Good question. "Why do they bother saying 'Raw sewage'? Do some people cook that stuff?" Yuck, but yes, Carlin's got a point.

He can do an extended bit too, most memorably the transcript of Jesus on a talk show plugging his new tell-all memoir about the Trinity, Three's a Crowd. Carlin is funny, but genuinely angry and poignant at times: "You live 80 years and at best you get about six minutes of pure magic," he says. Sad, but about right.

And how did Carlin get into his line of business, "thinking up goofy s---," as he puts it? There's a clue in one entry in this book: "As of 1995 the number of people who had lived on earth was 105,472,380,169 ... it means that at this point there have been almost 1 quadrillion human bowel movements and most of them occurred before people had anything to read. These are the kind of thoughts that kept me from moving quickly up the corporate ladder."

Thank god Carlin stayed low on the corporate food chain and high on his own utterly idiosyncratic ideas! --Tim Appelo

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Stoo Hample's 1961 classic elicits a fresh round of giggles with this irresistible edition featuring new art from the author-illustrator — and the same wonderful retro feel.

I am silly,
You are silly,
All of us are silly,
Willy.

And everything in THE SILLY BOOK is the silly-willy-nilliest! There are songy sills (oops!) — silly songs, silly stories, silly poems, silly secrets, silly things to do, a silly good-night, and even silly nothings. Anyone who reads this book will laugh like anything or else turn into a bathtub. First published more than forty years ago — when it became an uproariously silly success — THE SILLY BOOK has returned to cause a new generation of children to giggle like gigglecopters (giggle giggle giggle), roll on the floor (roll roll roll), and cheer, "Boodleheimer, Boodleheimer" (CLAP! CLAP! CLAP!).

This groundbreaking series of 31 uncensored cartoons, released between 1929 and 1939, includes six Academy Award(R) winners and provides an astonishing look inside the evolution of animation. Each boasting a unique cast of characters, these musical shorts served as Walt Disney's proving ground for emerging technology, new musical styles, and experimental forms. In addition to the cartoons themselves, join Academy Award(R)-winning composer Richard M. Sherman (MARY POPPINS) for an overview of the "Silly Symphony" series, and take a peek inside the Disney archives to view some rare and remarkable merchandise, conceptual art, and theatrical posters. Enjoy a nostalgic look back at the original musical shorts that launched a revolution in the world of animation. Featuring exclusive introductions by film historian Leonard Maltin, this is a timeless collection from generations past for generations to come.

In 1928, when Walt Disney's artists completed "The Skeleton Dance," the distributor of the Mickey Mouse shorts rejected the first "Silly Symphony" with a two-word telegram: "MORE MICE." Disney arranged to screen "Skeleton Dance" at the Carthay Circle Theater in Los Angeles, where it received an enthusiastic response, and the series took off. Seven "Silly Symphonies" won Academy Awards, beginning with "Flowers and Trees." Disney used these musically themed shorts to train young artists and test new styles, effects, and technologies: every film represented an innovation of some sort. In "Three Little Pigs," characters who looked alike demonstrated different personalities through the way they moved. "The Old Mill" showcased the newly invented Multiplane camera. The Sugar Cookie Girl in "Cookie Carnival" was one of several female characters the artists created while learning to animate a believable heroine for Snow White and the Seven Dwarfs. The well-chosen selections in this set demonstrate how quickly Disney advanced the art of animation during the '30s. Only eight years separate the crude black-and-white version of "The Ugly Duckling" (1931) from the moving Technicolor Oscar-winner of 1939. Over 60 years later, these films have lost none of their charm. The jazz-dancing insects in "Woodland Café," the wonderfully animated caricature of Mae West in "Who Killed Cock Robin," and the instrument-characters in "Music Land" remain as delightful as ever. Leonard Maltin makes a genial host, and two hidden cartoons include Walt's introductions from the old Disneyland program. --Charles Solomon

This vinyl sticker is 8 inches wide and contour cut from premium vinyl. This is a decal that can be applied to just about any smooth surface. This sticker has white letters. This decal are made from the highest quality vinyl to give you many years of use without fading or peeling. Included are detailed instructions for application.

This high quality metal frame is shiny chrome. It will fit standard American license plates. This one fits license plates with the registration tabs on the top. Check your state to see if yours are on the top or bottom. The saying is on plastic strips that we engrave. This one is Black with white lettering. This one says "SILLY BOYS...JEEPS ARE FOR GIRLS!". We do it in all capital letters because it shows up the best. Surprise a friend. They will love it. Click on our name (ALL ABOUT SIGNS) above to see more of our frames and signs.