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1. Surfin' Bird * - The Trashmen2. Splish Splash - Sha Na Na3. The Little Old Lady (From Pasadena) - Jan & Dean4. Tip-Toe Through The Tulips With Me - Tiny Tim5. Alley Oop * - The Hollywood Argyles6. Ain't Got No Home - Clarence Frogman Henry7. Tie Me Kangaroo Down Sport * - Jim Springer8. Li'L Red Riding Hood - Sam The Sham And The Pharoahs9. Love Potion No. 9 - The Clovers10. Beans In My Ears - The Serendipity Singers(All selections are new stereo recordings. Selections marked with an (*) are original recordings.)Format: CD Genre: MISCELLANEOUS/OTHER Artist: VARIOUS ARTISTS UPC: 787365000622
Publisher: Bci / Eclipse Music
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Few comics make the transition from stage to page as smoothly or successfully as George Carlin. Brain Droppings spent a total of 40 weeks on the New York Times bestseller list, and this new one is certain to tickle even more ribs (and rattle a few more cages) with its characteristically ironic take on life's annoying universal truths. In Napalm & Silly Putty, Carlin doesn't steer clear of the tough issues, preferring instead to look life boldly in the eye to pose the questions few dare to ask:
How can it be a spy satellite if they announce on TV that it's a spy satellite? Why do they bother saying "raw sewage"? Do some people cook that stuff? In the expression "topsy-turvy," what exactly is meant by "turvy"? And he makes some startling observations, including: Most people with low self-esteem have earned it. Guys don't seem to be called "Lefty" anymore. Most people don't know what they're doing, and a lot of them are really good at it. Carlin also waxes wickedly philosophical on all sorts of subjects, including: On kids: They're not all cute. In fact, if you look at them closely, some of them are rather unpleasant looking. And a lot of them don't smell too good either. On death row: If you're condemned to die they have to give you one last meal of your own request. What is that all about? A group of people plan to kill you, so they want you to eat something you like? Add to the mix "The Ten Most Embarrassing Songs of All Time," "The 20th Century Hostility Scoreboard," and "People I Can Do Without," and you have an irresistibly insouciant assortment of musings, questions, assertions, and assumptions guaranteed to please the millions of fans waiting for the next Carlin collection -- and the millions more waiting to discover this comic genius. Standup comic George Carlin follows up his dark-horse smash bestseller Brain Droppings with another compendium of cranky meditations, cinching his reputation as the Andy Rooney of boomer hepcats. "Road rage, air rage," Carlin rails. "Why should I be forced to divide my rage into separate categories? To me, it's just one big, all-around, everyday rage. I don't have time for fine distinctions." Carlin is not into the lengthy essay--he's a sprinter of the mind. Most sentences in the book could be lifted out to stand alone and provoke deep thought: "How can it be a spy satellite if they announce on television that it's a spy satellite?" Good question. "Why do they bother saying 'Raw sewage'? Do some people cook that stuff?" Yuck, but yes, Carlin's got a point.
He can do an extended bit too, most memorably the transcript of Jesus on a talk show plugging his new tell-all memoir about the Trinity, Three's a Crowd. Carlin is funny, but genuinely angry and poignant at times: "You live 80 years and at best you get about six minutes of pure magic," he says. Sad, but about right. And how did Carlin get into his line of business, "thinking up goofy s---," as he puts it? There's a clue in one entry in this book: "As of 1995 the number of people who had lived on earth was 105,472,380,169 ... it means that at this point there have been almost 1 quadrillion human bowel movements and most of them occurred before people had anything to read. These are the kind of thoughts that kept me from moving quickly up the corporate ladder." Thank god Carlin stayed low on the corporate food chain and high on his own utterly idiosyncratic ideas! --Tim Appelo Author: George Carlin
Publisher: Hyperion
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Recently inducted into the Toy Hall of Fame, Silly Putty has been bringing its pleasurably odd and multi-formable fun to both old and young for generations. Mold it into a ball and watch it bounce, see how far you can stretch it before it breaks. Press it on some newspaper and watch it pick up the print. If you use your imagination, then the sky's the limit!
Publisher: Binney & Smith Inc./Crayola
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Publisher: Warner Bros.
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From the beginning, Walt Disney's SILLY SYMPHONIES series was a mecca for innovation and unabashed creativity. This second volume of the revolutionary series boasts some of Disney's rarest cartoons, including over a dozen never before released on DVD or video. Among the many animation treasures celebrated here are the never-before-released HELL'S BELLS and the original unedited MOTHER GOOSE GOES HOLLWYOOD, plus the Academy Award(R)-winning THREE ORPHAN KITTENS (Best Cartoon, 1935). Enriching the collection even further are several optional commentaries by some of the world's foremost animation and film music experts, who also take part in a lively conversation about the series that let Walt Disney push the envelope of animation art to unimaginable flights of fantasy. Featuring exclusive introductions by film historian Leonard Maltin, this is a timeless collection from generations past for generations to come.
The second set of Silly Symphonies completes the series of music-themed cartoons Walt Disney began in 1929 with "The Skeleton Dance." Disney used these films to train his artists and to experiment with new techniques and visual styles. Viewers who watch the Symphonies in chronological order can see the artists' work improving at an astonishing pace. When a ring of imps dances around a fire in "Hell's Bells" (1929) the flat-looking flames move stiffly, like paper cut-outs; five years later in "The Goddess of Spring" (1934), the flames ripples and crackle, and their changing hues produce multi-colored shadows on the cavern walls. The imps in the earlier film are rubbery golliwogs who just bounce and stretch to the music; in the later film, the rounder, more dimensional devilkins perform a complicated jazz dance. "Goddess of Spring" and "Broken Toys" (1935) also represent the artists' first efforts to animate a believable female character, as they prepared for the challenges of Snow White and the Seven Dwarfs.
Many of these films were consigned to the vaults for years because of their racial imagery. In the Oscar-nominated "Mother Goose Goes Hollywood" (1938), a gaggle of Hollywood celebrities cavort to familiar nursery rhymes, but the caricatures of Stepin Fetchit and Cab Calloway are no more unflattering or mean-spirited than the ones of Katharine Hepburn, W.C. Fields, and Clark Gable. The outrageous "Cannibal Capers" (1930) and a few other shorts may embarrass viewers today, but as host Leonard Maltin observes, ignoring these film falsifies the past of animation and the United States. This important and entertaining collection will delight anyone interested in the history of the Disney Studio, animation or American popular culture. (Rated G, suitable for ages 5 and older: cartoon violence, tobacco use, ethnic stereotypes) --Charles Solomon Publisher: Walt Disney Video
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Publisher: Fisher Price
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Today I feel silly. Mom says it's the heat.
I put rouge on the cat and gloves on my feet. I ate noodles for breakfast and pancakes at night. I dressed like a star and was quite a sight. Today I am sad, my mood's heavy and gray. Silly, cranky, excited, or sad--everyone has moods that can change each day. Jamie Lee Curtis's zany and touching verse, paired with Laura Cornell's whimsical and original illustrations, helps kids explore, identify, and, even have fun with their ever-changing moods. Here's another inspired picture book from the bestselling author-illustrator team of Tell Me Again About the Night I Was Born and When I Was Little: A Four-Year-Old's Memoir of Her Youth. Jamie Lee Curtis has starred in many movies, but she says that the children's books she has written mean more to her than any of her films. She and artist Laura Cornell have previously collaborated on two bestselling books: Tell Me Again About the Night I Was Born and When I Was Little: A Four-Year-Old's Memoir of Her Youth. This time, we follow a little girl with curly red hair through 13 different moods, beginning with silly: "Today I feel silly. / Mom says it's the heat. I put rouge on the cat / and gloves on my feet." Of course, silly soon turns to grumpy and mean... to excited... to confused, and so on. Recognizing one's own mood swings is a developmental milestone, one that some adults haven't yet mastered! Cornell's watercolor illustrations--wildly expressive and energetic--effectively capture the volatility of our redheaded star. Whether she is happy or mad or dancing a solo in jazz, she is always "full of pizzazz," and this book is, too. A clever mood wheel on the last page allows young readers to change the little girl's expression--both her eyes and mouth. This is silly fun with a smart lesson for children from ages 4 to 8. --Marcie Bovetz
Author: Jamie Lee Curtis
Publisher: Joanna Cotler
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Publisher: Walt Disney Records
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Publisher: Play Along
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CONCERNING CLOWNS: Silly Poems to Make You Smile. Ages 3 - 8. Illustrated poetry in Print, Braille, and Audio Book with Music CD. 15 Pages. Specify eBook, Kindle, Print, Braille, Audio CD with music and lyrics to all poems to recite along with narration. $ 5.99
Publisher: Benchmarkbooks.com
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