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This dark and highly stylized French import directed by Luc Besson (The Fifth Element, The Professional) concerns an enigmatic safecracker played by Christopher Lambert (Highlander) hiding out in the Paris Metro system from a gangster. While living in the underground and eluding both gangsters and Metro police he meets up with a group of colorful and quirky subterranean inhabitants eager to help him and start a rock band. All the while the safecracker blackmails a rich woman (Isabelle Adjani) with whom he is in love. Meant to be a tongue-in-cheek commentary on urban life, the film works better as a light freewheeling entertainment, with well-constructed fast-paced action sequences and a breezy sense of humor about itself. Subway is an intriguing diversion and a chance to see the cutting edge of modern French moviemaking. --Robert Lane

a rush of air
a car is there
hop, hop, hop
on the subway!

Come along for the ride as a little girl and her mother hop on the subway. From spinning turnstiles and musicians performing on the platforms to people hopping off and on and lights flashing past in the tunnels, the sights and sounds of the subway have an energy all their own. Anastasia Suen’s sprightly text and Karen Katz’s brightly colored patterns and lively perspectives combine for a pitch perfect celebration of an underground train ride, where the hustle and bustle is only part of the fun.

Long-awaited 2008 sophomore outing from the youthful, Grunge-inspired Brit trio. This album saw the band decamp to L.A. to work with legendary U.S. Alt-Rock producer Butch Vig (Nirvana, Smashing Pumpkins), who beefed up and smoothed out their sound. The result is a considerable sonic progression from the rudimentary Garage Punk of their debut, which sees them absorbing various influences from U.S. Rock history and beyond. Includes the singles 'Alright' and 'Girls & Boys'. Warner.

This dark and highly stylized French import directed by Luc Besson (The Fifth Element, The Professional) concerns an enigmatic safecracker played by Christopher Lambert (Highlander) hiding out in the Paris Metro system from a gangster. While living in the underground and eluding both gangsters and Metro police he meets up with a group of colorful and quirky subterranean inhabitants eager to help him and start a rock band. All the while the safecracker blackmails a rich woman (Isabelle Adjani) with whom he is in love. Meant to be a tongue-in-cheek commentary on urban life, the film works better as a light freewheeling entertainment, with well-constructed fast-paced action sequences and a breezy sense of humor about itself. Subway is an intriguing diversion and a chance to see the cutting edge of modern French moviemaking. --Robert Lane

The Subways have quickly established themselves as one of Britain's most exciting new bands. Young For Eternity, the London-based trio's major label debut, produced by Lightning Seeds' Ian Broudie, roars with love and lust, fear and frustration, veering from rambunctious punk thrash to tender acoustic pop. Jump on board because The Subways are on the move.

The debut album from The Subways proves that for a man approaching his seventies, Glastonbury’s (UK music festival) Michael Eavis has excellent taste. Eavis plucked The Subways’ demo from a pile of demos and pushed this young trio--frontman Billy Lunn, his girlfriend, bassist Mary-Charlotte Cooper, and his brother, drummer Josh Morgan--onto the 2004 festival stage.

A long, hot summer on, Young For Eternity fulfils all their early potential: "I Want To Hear What You Have Got To Say" and "Oh Yeah" barrel along with the raw, adrenalised energy of Nirvana or The White Stripes--full-bodied, powerful anthems that lose none of their live passion in the studio setting. Lunn’s oft-stated admiration for Oasis surfaces on "Mary", a sort of amped-up "She’s Electric" that’s actually, rather sweetly, a love song from singer to bassist. Ms Cooper, too, however, has a pretty great voice: more grit-edged rock bitch than cooing indie-waif, it invests the likes of "Oh Yeah" and "City Pavement" with a smouldering--nay, flat-out roaring--chemistry that’s all the more engaging because it’s actually 100% genuine. --Louis Pattison

A newly discovered cache of magnificent historical photographs.

There have been, and will be, other books on the New York City subway system, but none have had access to the wonderful photographic prints from the collections of the New York Transit Museum that are presented in this volume. Made from 8 x 10-inch glass negatives after the turn of the last century, and reproduced here in glorious duotone, over 175 images show the incredible construction techniques and details involved in creating the underground marvel we enjoy today. From "cut and cover" and deep tunneling to sinking under-river tubes and disastrous cave-ins, these photographs are nothing short of awe-inspiring. The book is accompanied by an engaging, illustrated history of the subway system. Published in honor of the New York City subway's centennial, A City Beneath Us will fascinate anyone who's ever been amazed by the gigantic undertaking that is New York City transportation. 175 duotone and 40 black-and-white photographs.

New York has a reputation for being a surprising city. But you won't believe the surprises that rock its foundations daily, and the adventures that await those who venture into its serpentine subway system. Subway Stories is ten movies in one, capturing the laughter, the fear, the sexiness, the strangeness, the money ??? and the lack of it ??? that every day shapes the lives of those who ride the subways of New York. From the young Wall Streeter who could make it rich to the con artist with a paper cup; from a love affair without words to a chance meeting where music is the only language; from being in the right place at the right time to the wrong place at the wrong time ??? it's a ride you'll never forget! Each story is helmed by a different acclaimed director, including Bob Balaban, Jonathan Demme and Ted Demme.