typography - Rumorstore search

* Packed with great examples from leading design studios
* Introduces students to type and offers inspiration for working creatives

The Fundamentals of Typography offers an overview plus incisive insight into the use of type and stunning examples sure to inspire typographers and designers in the field. A comprehensive introduction to the history of typography, typographic detailing in practice, and font generation for print and the web, this book covers type in the past and the present--and speculates on the future. Basic principles are explained with detailed presentations, illustrations, case studies, and examples from leading design studios around the world.

New information and new images make this perennial best-seller an even more valuable tool for anyone interested in learning about typography.

[Testimonials]
"The ultimate typographic tool: a concise, beautiful book that pulls together everything you need to produce great typography."
--Frank Romano, RIT School of Print Media

"Clear and elegant...There's no better or more useful introduction to the whole craft of typography."
--Roger Black, Danilo Black, Inc.

"All you've always wanted to know about type and typography but never dared to ask. Jim Felici brings together a vast amount of knowledge in this book. Must-have!"
--Erik Spiekermann, author, Stop Stealing Sheep (and Find Out How Type Works)

This book is about how type should look and how to make it look that way; in other words, how to set type like a professional. It releases the craft knowledge that used to reside almost exclusively in the heads of people working in type shops. The shops are gone, the technologies have changed, but the goal remains the same. This book explains in very practical terms how to use today's computerized tools to achieve that secret of good design: well-set type.

Beautifully designed and richly illustrated, The Complete Manual of Typography is an essential reference for anyone who works with type. Designers, print production professionals, and corporate communications managers can go straight to the index to find focused answers to specific questions, while educators and students can read it as a textbook from cover to cover. You'll find:

• History, basic concepts, and anatomy of good typography, concisely presented and indexed for quick reference by busy professionals.
• Straight-ahead instructions for how to manage fonts, handle corrupted or missing fonts, and find the characters you need.
• Clear, useful explanations of what makes good type good (and bad type bad) .
• Detailed guidance on controlling the fundamentals of type, including measure, point size, leading, kerning, and hyphenation and justification.
• Practical advice on how to fix and avoid composition problems such as loose lines, bad rags, widows and orphans.
• Hard-to-find rules for managing indents and alignments, skews, wraps, expert-set characters, and tables.
• Scores of workarounds that show how to wring good type out of uncooperative word-processing and layout programs.

This book constitutes the refereed proceedings of the International Conference on TEX, XML, and Digital Typography, held jointly with the 25th Annual Meeting of the TEX User Group, TUG 2004 in Xanthi, Greece in August/September 2004.

The 21 revised full papers presented were carefully reviewed and selected for inclusion in the book. The papers reflect the state of the art of digital typography using TEX or its offsprings. Besides typesetting issues, the papers deal with topics like multilingual document preparation, XML document processing and generation, complex bibliographic databases, and automatic conversion.

For over fifty years, the Type Directors Club has encouraged the worldwide graphic arts community to achieve excellence in typography through its annual international competitions. Typography 28 is the only annual devoted exclusively to typography and presents the finest work in this field for the year 2007. Selected from approximately 2300 international submissions to the annual Type Directors Club competition, the winning designs are models of excellence and innovation in the use of type design, encompassing a wide range of categories, including books, magazines, corporate identities, logotypes, stationery, annual reports, video and web graphics, and posters.