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Lured by their dreams of fame and fortune, three ambitious young women enter the world of show business and discover how easy it is to sink into a celebrity nightmare of ego, alcohol and 'pills' - the beloved "dolls." A prim New Englander (Barbara Parkins) unexpectedly skyrockets from her job as secretary in a talent agency to a glamorous TV model. A determined singer (Patty Duke) finds that Hollywood success can also spell self-destruction. And a beautiful sex symbol (Sharon Tate) is torn between the money commands and the shame of feeling exploited. Based on Jacqueline Susann's phenomenal best-seller about the underside of Hollywood, this fascinating melodrama was once seen as a shocking behind-the-scenes look at how show business creates instant stars, destroys romances and changes personalities forever.
They don't make 'em like this anymore. Well, John Waters might, if he ever had a big enough budget. A steamy "inside look" at the alternately sleazy and glamorous world of catfighting, backbiting show-biz starlets, this Hollywood hit from the bestselling novel by Jacqueline Susann is a high-gloss camp artifact--a time capsule (or some kind of capsule, anyway)--from the screwy '60s, when a broad was a broad, a bitch was a bitch (whether "her" name was Neely O'Hara or Ted Casablanca), and a "doll" was a prescription drug. These dames of whine and poses obsessed over their bust lines, booze, and barbiturates. The once-shocking and scandalous language and behavior of these Broadway babes has been eclipsed by Dallas, Dynasty, and Melrose Place, but time has only enhanced the stature of Valley of the Dolls as a classic--and it still puts Showgirls to shame. With Patty Duke, Susan Hayward, Sharon Tate, Lee Grant, Barbara Parkins, and Martin Milner (and juicy, scene-chewing dialogue such as the infamous: "They drummed you out of Hollywood, so you come crawling back to Broadway. But Broadway doesn't go for booze and dope--now get out of my way, I've got a man waiting for me!"), Valley of the Dolls is the Mount Rushmore of backstage movie melodramas. --Jim Emerson
Publisher: 20th Century Fox
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Making Good And Bad Times Work For You -- At Work And In Life Peaks and Valleys is a story of a young man who lives unhappily in a valley until he meets an old man who lives on a peak, and it changes his work and life forever. Initially, the young man does not realize he is talking with one of the most peaceful and successful people in the world. However, through a series of conversations and experiences that occur up on peaks and down in valleys, the young man comes to make some startling discoveries. Eventually, he comes to understand how he can use the old man's remarkable principles and practical tools in good and bad times and becomes more calm and successful himself. Now you can take a similar journey through the story and use what you find to your advantage in your own work and life. Author: Spencer Johnson
Publisher: Atria
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Mike Deerfield returns to the U.S. after his tour of duty in Iraq and abruptly goes missing. His father Hank, a spit-and-polish ex-MP from the Vietnam era, goes looking for him. What he finds goes to the heart of American combat experiences in the Iraqi conflict. Academy Award®-winning* Crash filmmaker Paul Haggis teams with Oscar®- winning* actors Tommy Lee Jones, Charlize Theron and Susan Sarandon in a probing, powerful, fact-based look at fathers and sons…and at a nation and the young soldiers it sends into battle. Jones plays Hank, whose quest lays bare a tangled web of cover-up, murder, mystery and profound revelation about the personal costs of war.
In career Army officer Hank Deerfield's worldview, the American military exists to bring order to the world, and honor and dignity to every one of its soldiers. As played by Tommy Lee Jones, in a layered performance that will haunt the viewer long after the film is over, Deerfield wears the Army life like he does his standard-issue white T-shirts--unconsciously making a cheap motel bed with crisp inspection-ready corners. Yet if war is hell, the purgatory for the relatives of damaged soldiers can cause far more anguish, and Paul Haggis' quietly devastating In the Valley of Elah tells this story through Deerfield, who is desperately trying to piece together the fate of his adored son Mike, a soldier in Iraq.
Mike's company has returned from duty, but he is missing; Hank flies from Tennessee to Fort Rudd in the Southwest, to conduct his own investigation into the disappearance. There he meets a smart but put-upon police officer (Charlize Theron, glammed-down but still showing a bit too much sexy collarbone for a cop) who also smells something off in the Army's official story of the disappearance. The two form an unlikely team, but as a friend tells Deerfield early on, "You gotta trust somebody sometime, Hank," and Mike's vanishing is Hank's tipping point. As Hank pieces together the horrifying story of Mike's fate, the incremental pain becomes etched in Jones' ragged features, and the camera captures all of it--far more powerfully than could a million words of reportage from the front lines. Theron's performance is also strong, and Susan Sarandon is moving if underutilized as Hank's grief-stricken wife, robbed of the simple nuclear family life she so wanted. "They shouldn't send heroes to places like Iraq," says one of Mike's buddies late in the film, and it's the viewers' collective sorrow--and the film's great achievement--to feel that at the deepest human level. --A.T. Hurley Publisher: Warner Home Video
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Martha Coolidge's 1983 directorial debut--based loosely on the Frank (and Moon) Zappa (who weren't involved with the film) novelty hit of the previous year--carried a budget so low that it didn't even generate a soundtrack album when it was released. Loosely based on the same themes as Romeo and Juliet, (with a young Nicolas Cage as a Hollywood homeboy Montague) Valley Girl's producers were also savvy enough to tap into LA radio outlet KROQ's pioneering "Rock of the 80s" format. Rhino's unofficial soundtrack release captures much of the spunky essence of KROQ's playlist--three tracks by LA's great Plimsouls (including their biggest hit "A Million Miles Away"), some novelty hits (Josie Cotton's "Johnny Are You Queer, "Jukebox" by the flirts, Felony's "The Fanatic")--and fondly recalls an era when rock's fun quotient hadn't yet been tattooed and pierced into oblivion. --Jerry McCulley
Publisher: Rhino / Wea
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Publisher: Banner of Truth
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SF CLASSIC OF LOST VALLEYS. INTELLIGENT ANIMALS AND ALIEN INTERVENTION In The Valley of Creation, where Eric Nelson is one of a desperate band of soldiers-of-fortune who have fought on the loosing side in a war and eagerly take on a mysterious assignment deep in the borderlands of Tibet. There, in a legendary valley, Shan Kar, the man who has hired them, tells Nelson and the other mercenaries that their weapons are humankind's last ditch defense against the valley's intelligent animals, who plan to take over the world. If they are successful, the mercenaries' reward is to be a fabulous treasure in platinum not far from the city of the animals. But after an encounter with a warrior-maid who fights along side the animals, and an encounter with a telepathic wolf, Nelson wonders if he has been told the whole story. To find out he will have to enter the city of the animals, have his own personality transferred into the body of a wolf and run with the pack. Little does this cynical soldier realize that this will be an experience which will change him forever. No wonder The Science Fiction Encyclopedia calls The Valley of Creation, "A strongly-written sword-and-sorcery story with an sf denouement - carefully composed and dark in texture."
Author: Edmond Hamilton
Publisher: PageTurner
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Welcome back to Grace Valley, California, where the best things in life never change…
Here in this peaceful community, folks look out for one another like family, though sometimes a little too well. In a town like this, it's hard to keep a secret—but Dr. June Hudson has managed to keep one heck of a humdinger.… Though visits from her secret lover, undercover DEA agent Jim Post, are as clandestine as they are passionate, somehow it fits with her demanding schedule as the town's doctor—a calling that requires an innate ability to exist on caffeine, sticky buns and nerves of steel. But how can a secret lover compete with a flesh-and-blood heartthrob from her past? June's old flame has just returned to town after twenty years—and he's divorced. June is seriously rattled. So when the town's most devoted wife takes buckshot to her husband and some human bones turn up in her aunt Myrna's backyard, she's almost happy for the distraction. Sooner or later, love will have its way in Grace Valley. It always does. Author: Robyn Carr
Publisher: Mira
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Valley Hitch Mounted Basket Cargo Carrier measures 60 long and 20 wide. It comes with an expanded steel mesh floor and 6 high sides to keep cargo secure and in place. It is designed to fit a 2 receiver hitch with a minimum Class III or Class IV rating. These cargo carriers are manufactured from heavy duty tubular steel and measure 5/8 in diameter. The installation is a very simple procedure of just bolting two pieces together.
Publisher: Valley Tow
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Publisher: Ben Becker Music
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Sixty year-old Huw Morgan looks back on his life as a boy (Roddy McDowall) in a small Welsh mining town. His reminiscences reveal the disintegration of the closely knit Morgans, and his devoted parents (Donald Crisp, Sara Allgood), while capturing the sentiments and issues of their time. Maureen O'Hara and Walter Pidgeon co-star in this acclaimed screen classic, the story of one family's dreams, struggles and triumphs.
John Ford's beautiful, heartfelt drama about a close-knit family of Welsh coal miners is one of the greatest films of Hollywood's golden age--a gentle masterpiece that beat Citizen Kane in the Best Picture race for the 1941 Academy Awards. The picture also won Oscars for Best Director (Ford), Best Supporting Actor (Donald Crisp), Best Art Direction, and Best Cinematography; all of those awards were richly deserved, even if they came at the expense of Kane and Orson Welles. Based on the novel by Richard Llewellyn, the film focuses its eventful story on 10-year-old Huw (Roddy McDowall), youngest of seven children to Mr. and Mrs. Morgan (Donald Crisp, Sarah Allgood), a hardy couple who've seen the best and worst of times in their South Wales mining town. They're facing one of the worst times as Mr. Morgan refuses to join a miners union whose members have begun a long-term strike. Family tensions grow and Huw must learn many of life's harsher lessons under the tutelage of the local preacher (Walter Pidgeon), who has fallen in love with Huw's sister (Maureen O'Hara). As various crises are confronted and devastating losses endured, How Green Was My Valley unfolds as a rich, moving portrait of family strength and integrity. It's also a nod to a simpler, more innocent time--and to the preciousness of memory and the inevitable passage from youth to adulthood. An all-time classic, not to be missed. --Jeff Shannon
Publisher: 20th Century Fox
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