winter - Rumorstore search

A child observes the coming of winter and its effects on the weather, animals, and plants. Includes suggestions for wintertime activities.

The Tilley Winter Hat is made from wool that has been Teflon® coated for stain and water/snow repellency. Earlaps and a forehead warmer are tucked into the crown of the hat.

Look retro-cool, while staying warm in this NHL 2009 Winter Classic Detroit Red Wings Official Center Ice Reversible Player Knit from Reebok. Features logo on front.

Twenty years after her landmark Watermark album, Enya's seventh studio disc, And Winter Came continues a phenomenally successful career that has included more than 70 million albums sold worldwide. And Winter Came is an enchanting evocation of the changing landscape of winter as well as the festive cheer of the holidays. One of the most successful female artists of all-time, and second only to U2 as the biggest selling Irish artist in history, Enya brings her beguiling and ethereal music to bear on the darkest and yet most hopeful season with And Winter Came.

Alive with swirling snow and lots of outdoor fun, the first ten days of winter bring special gifts for a special friend. This cumulative tale will have children chanting along as they discover all the trimmings needed for the most perfect snowman ever!

The Winter Solstice series from Windham Hill is an appealing souvenir from the label's early days, when guitarist Will Ackerman still served as its chief guiding light and fount of original thought. For years Ackerman shunned the overt commercial trappings of traditional Christmas recordings and instead offered odes to a broader season that, like his artists' music, is compatible with periods of sustained, hushed contemplation. Winter Solstice II, released in 1988, mixes original and traditional compositions (none that specifically brings Christmas to mind) and is adorned with classical overtones from front to back, conveying the high-minded earthiness associated with the label's then all-acoustic format. A few pieces on the 50-minute disc clock in at under than two minutes, and a couple others are duds, yet several selections make this quiet disc a worthy listen: a handsome interpretation of Bach ("Prelude to Cello Suite No. 1") on harp-guitar by Michael Hedges, plus gorgeous, yearning piano solos by Philip Aaberg ("The Gift") and Michael Manring. Better known as a bassist, Manring's reworking of one of his own works, "Sung to Sleep," may be the disc's highlight. Ackerman's contribution, "Abide the Winter," and "Medieval Memory II" by the sadly disbanded duo of pianist Ira Stein and oboist Russell Walder, float through the air as beautifully as winter's first snowfall. --Terry Wood